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The Hedge Theater

9 votes

Producing House

Filmed in Rome in the 1980s, the work draws on Borromini’s Baroque architecture and Il Sassetta’s St. Martin and the Beggar. Beavers contrasts winter’s subdued light with the verdant growth of spring, constructing a precise montage in which image and sound form a poetic dialogue.

movie

Status: Released

Released Date: 2002-11-17

Runtime: 19 mins

Director: Robert Beavers

Spoken language: No Language

Genres: Documentary

Original title: The Hedge Theater

Production Companies:

Production Countries: Italy, Switzerland

My Hand Outstretched to the Winged Distance and Sightless Measure

Winged Dialogue
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Winged Dialogue

1967-12-30

An early exploration of intimacy and perception, the film portrays the body’s beauty and sexuality a

Early Monthly Segments
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Early Monthly Segments

2003-09-09

Filmed when Beavers was 18–19, this self-portrait depicts him and Gregory J. Markopoulos in their Sw

Plan of Brussels
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1968-01-01

Filmed in a Brussels hotel room, Beavers alternates between his work desk and lying nude on the bed,

The Count of Days
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The Count of Days

1969-10-06

The film is seen as though upon and through the structure of its spiritual partitions. One might say

Palinode
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Palinode

1970-01-01

In Palinode a disk-shaped matte continually shifting in and out of focus alternately blocks part of

Diminished Frame
0

Diminished Frame

1970-01-01

“There is a balance between a sense of the past seen in the views of West Berlin, filmed in black &a

Still Light
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Still Light

1971-12-13

Filmed on Hydra, the work studies a young man’s face across shifting light and landscape, framed thr

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From the Notebook of...

1972-02-11

Shot in Florence, the film draws on Leonardo da Vinci’s notebooks and Paul Valéry’s essay on da Vinc

The Painting
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1972-01-01

Beavers intercuts scenes of traffic in Bern with details from the 15th-century altarpiece The Martyr

Work Done
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1973-09-14

Shot in Florence and the Alps, the film contemplates traditional European labor—ice vaults, bookbind

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Beavers traces John Ruskin’s legacy from London to the Alps and especially Venice, where the camera

Sotiros
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2000-02-05

Distilled in 1996 from an earlier 50-minute trilogy, this 26-minute film was shot in Greece and Aust

Amor
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1980-03-04

Shot in Rome and Salzburg’s natural theatre, the film uses cutting and sewing as metaphors for love,

Efpsychi
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“The details of the young actor’s face – his eyes, eyebrows, earlobe, chin, etc. – are set opposite

Wingseed
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A meditation on landscape and desire, the film juxtaposes arid terrain, wild grasses, and herds of g

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Filmed in Rome in the 1980s, the work draws on Borromini’s Baroque architecture and Il Sassetta’s St

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Named for the colonnades of the ancient Lyceum, the film juxtaposes industrial arcades in golden mor

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Interweaving stonework and filmmaking, Beavers evokes memory through hammer strokes and chisel sound

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