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Júlio Bressane

Date of birth: 1946-02-13

Place of birth: Rio de Janeiro, Rio de Janeiro, Brazil

Known for: Directing

Also known as: Julio Bressane

Júlio Bressane

Biography

Júlio Eduardo Bressane de Azevedo (Rio de Janeiro, February 13, 1946 ) is a Brazilian filmmaker and writer. A representative of the Brazilian Cinema Marginal, he began making films as an assistant director of Walter Lima Jr., in 1965. In 1967, Bressane debuted as director with Face to Face, being selected for the Festival of Brasilia. In 1970, he founded Belair Movies in company with fellow filmmaker Rogério Sganzerla. They chose a model of making films and low-cost production and thereby managed to run six feature films in just six months. He came into exile in London in the early 1970s, but returned to Brazil several years later and made one film after another, using slapstick and debauchery as its main features. An acclaimed film of this period was the provocative Tabu, released in 1982. Critics consider Bressane the most scholarly of the Brazilian film directors, and his work is notable for the diversity of its narrative language. Another feature of his filmography is the comprehensive approach to historical and literary characters. He is also noted by his low-budget, short-time shootings, with an average of 11 to 14 days to make and edit a film. Description above from the Wikipedia article Júlio Bressane licensed under CC-BY-SA, full list of contributors on Wikipedia.

Movie Credits

The Queen of the Night
3

The Queen of the Night

2023-03-26

A statue steps down from the pedestal and sets out in search of her Creator, the cold Queen of the N

A Mulher da Luz Própria
4

A Mulher da Luz Própria

2019-06-06

Helena Ignez is one of the main female figures of Brazilian cinema. She developed a new style of act

Drumming Beat of the Stars
2.5

Drumming Beat of the Stars

2012-11-14

An essay around the streets, as an homage to Fernando Pessoa

Sentimental Education
2.8

Sentimental Education

2013-10-03

Sentimental Education centers on the unique relationship between Áurea, a lonely 40 year old teacher

Chinese Viola
3

Chinese Viola

1975-05-31

The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Ot

Strade perdute - Filmmaker 23
0

Strade perdute - Filmmaker 23

2023-11-20

For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Be

Ver Viver Reviver
2.8

Ver Viver Reviver

2007-01-01

In September 2007 Júlio Bressane goes to Ferrara. In the cemetery of the Italian city he ends up mak

About Cinema
4.1

About Cinema

2015-09-15

An abandoned tumbledown theater in the outback of Paraíba state is the initial setting of a film abo

Quando a Coisa Vira Outra
0

Quando a Coisa Vira Outra

2022-10-06

Vladimir Carvalho's Cinema of Inequality marked the documentary filmmaker's trajectory over decades

Galáxia Albina
0

Galáxia Albina

1992-01-01

A liberal interpretation of the book Galáxias, one of the most important works by the great contempo

Horror Palace Hotel
3

Horror Palace Hotel

1978-07-01

An unusual look at 1978 Brasilia Film Festival and the politics that make certain films fashionable

The Long Voyage of the Yellow Bus
4.5

The Long Voyage of the Yellow Bus

2023-01-30

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to his

50 minutos e 23 segundos com Júlio Bressane
2.5

50 minutos e 23 segundos com Júlio Bressane

2000-01-01

A Miss e o Dinossauro
2.5

A Miss e o Dinossauro

2005-05-10

A short documentary on Belair, an independent Brazilian film company that lasted for only five month

Talking Cinema
2.3

Talking Cinema

1986-12-11

A fragmented style, patchwork of interviews with Caetano Veloso's friends, mixed with conversations,

Earth
0

Earth

2015-06-26

When I wake will I be someone else?

Avacalha e se Esculhamba
0

Avacalha e se Esculhamba

2010-04-20

The Agony
4

The Agony

1976-12-30

Cropped hair, a rosemary branch behind the ear, yellow shirt of shiny satin, he's behind the wheel o

Lágrima Pantera: A Míssil
2.7

Lágrima Pantera: A Míssil

1972-01-01

A silent film shot in New York in 1972, including scenes in Hélio Oiticica’s apartment. Last film ma

Copacabana, Mon Amour: A Restauração
0

Copacabana, Mon Amour: A Restauração

2014-01-01

A documentary on the restoration of Rogério Sganzerla's 1970 film "Copacabana, Mon Amour".

A Linguagem do Cinema
3

A Linguagem do Cinema

2001-03-15

A 10-part documentary about 10 Brazilian filmmakers: Linduarte Noronha, Jorge Furtado, Ruy Guerra, M

Nietzsche Sils Maria Rochedo de Surlej
0

Nietzsche Sils Maria Rochedo de Surlej

2019-01-26

Bressane (together with his partner Rosa Dias and young filmmaker Rodrigo Lima) guide us through the

A Vermelha Luz do Bandido
0

A Vermelha Luz do Bandido

2009-08-11

Experimental documentary short that debates over Rogério Sganzerla's Brazilian cult classic "The Red

Belair
0

Belair

2009-10-04

Between February an May of 1970, Julio Bresane and Rogerio Sganzerla made 7 films for their company

Naive Cinema
3

Naive Cinema

1979-03-28

An essay film on the editing of erotic movies.

Brás Cubas
2.5

Brás Cubas

1985-10-15

Irreverent adaptation of great writer Machado de Assis's masterpiece "Memórias Póstumas de Brás Cuba

Torquato Neto, O Anjo Torto da Tropicália
0

Torquato Neto, O Anjo Torto da Tropicália

1992-01-01

A documentary chronicling the life and works of Brazilian poet, songwriter, journalist and avant-gar

Candango: Memoirs from a Festival
2.5

Candango: Memoirs from a Festival

2020-10-22

In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capit

Tabu
3.3

Tabu

1983-03-10

The fictional encounter in Rio de Janeiro, Brazil (in the 30s) between popular songwriter Lamartine

Dark Galaxy
0

Dark Galaxy

1993-01-01

"They are combinations of fragments. There are no stories, it is possible to mount these fragments i

Il vento del cinema
0

Il vento del cinema

Nietzsche em Português
0

Nietzsche em Português

2023-11-11

O Fantasma da Ópera
0

O Fantasma da Ópera

2026-01-23

We see the film, not the cinema; cinema remains hidden within the film. Cinema is the Phantom of the