**Overall : a talented cast and smart story craft a clever mystery that is worth a watch.** An unsuspecting tailor attempts to survive a night filled with betrayal and danger as his shop is used as a temporary safe house by mobsters. The Outfit plays out similarly to a game of Clue as the hunt for the mole takes twists and turns in the tiny tailor's shop. As the story unfolds, it's surprising who the true mastermind is being all the bloodshed.

**Overall : a talented cast and smart story craft a clever mystery that is worth a watch.** An unsuspecting tailor attempts to survive a night filled with betrayal and danger as his shop is used as a temporary safe house by mobsters. The Outfit plays out similarly to a game of Clue as the hunt for the mole takes twists and turns in the tiny tailor's shop. As the story unfolds, it's surprising who the true mastermind is being all the bloodshed.

I will give any production with Mark Ryland in it a try, ever since I first noticed him in Wolf Hall. I enjoyed this film, with its taut script, realistic dialogue and several plot twists, which I won’t even mention for fear of giving things away. This movie manages to be a noir piece, even though it doesn’t venture out into the dark and moody streets of Chicago. It is a set piece, taking place in one man’s tailor shop. I wonder if a theatrical production on Broadway is inevitable? There are plenty of bad guys to be found here, but with enough shading of humanity as to make us root for a few of them over the others. But the script doesn’t care who you root for — the plot is the plot and it will runs its headlong course and draw us along with it. Despite the periodic outbursts of violence, this is more a drama than a thriller. It reminds me of what Hitchcock is supposed to have said. Suspense isn’t a bomb exploding but rather it is wondering if it will go off. Of course, in thrillers, if you have a bomb, it must explode at some point. This movie isn’t that predictable. The Outfit isn’t just a drama; it is a character study, and Ryland’s character bears up well under the plot’s scrutiny.

Whatta film! <em>'The Outfit'</em> is excellent. Second time in roughly three weeks that I've had the pleasure of seeing a Mark Rylance flick on the big screen and again he delivers - such a reliable actor. The other release was <em>'The Phantom of the Open'</em>, which is very good but both the film and Rylance's performance is bettered here. A thoroughly enjoyable showing from him as Leonard Burling. Things start off extremely strongly with a terrific opening scene with Rylance's Burling, so I was praying that it would keep that high level and I'm pleased to say that - in my opinion, of course - it absolutely did. There's a bit at the end that I was initially unsure about, though upon further thought I enjoyed it just as much as the rest. One element of this 2022 production actually stays the same from start-to-finish, I won't say what but early on I thought it may limit proceedings but if anything it just adds to the overall vibe of it all. The support cast, meanwhile, are all faces I didn't know before now, though every one of them give good performances - standouts being Johnny Flynn and Nikki Amuka-Bird.