**_Civil War “Western” that takes place a dozen miles from the Canadian border_** In September-October, 1864, a Confederate officer (Van Heflin) coordinates a group of 21 young soldiers, mostly ex-POWs, for an attack on a prosperous town in northern Vermont. His motive isn’t just revenge, but to fund the Confederacy with desperately needed funds, as well as to divert Union troops from the South. “The Raid” (1954) was loosely based on the St. Albans Raid, the northernmost engagement of the Civil War, led by 21 years-old Lt. Bennett H. Young and organized by George Sanders, a Montreal-based agent of the Confederacy. Heflin (at the age of 45 during shooting) basically plays a conglomerate of these two real-life people. It’s great to see so many familiar faces when they were young, like Lee Marvin, Anne Bancroft, Richard Boone, Peter Graves and Claude Akins. The film starts out with some quality action concerning a prison break in northeast New York, but then settles down with the Major inspecting the town over the course of a week, masquerading as a businessman from Montreal. He finds himself drawn into the lives of the townspeople, particularly a young widow (Bancroft) and her boy. While some might argue that the story bogs down at this point, it successfully establishes the main characters and the flick delivers the goods in the last half hour, starting with a notable scene involving the Major’s loose-cannon Lieutenant (Marvin). Human interest is effectively added to the historical events, which inspired me to research the incident further (I have read about it in the past, but wasn’t up on all the details). Boone’s character, a Union Captain, was inspired by the real-life Captain George Conger, who quickly amassed a group in the town to fight back with firearms. In the face of resistance, Young & his raiders retreated, attempting to fire the town as they went, but with little success, although one person ended up losing his life and two others were injured. A Confederate was also injured. The film doesn’t say, but the fleeing Rebels were apprehended by Canuck authorities and the loot returned to the three banks in St. Albans, although the men were let go because neutral Canada couldn’t extradite them. It runs 1 hour, 22 minutes, and was shot in RKO Studios in Culver City, which is just southwest of Hollywood, as well as Sherwood Forest, which is a 50-minute drive to the northwest. GRADE: B+/A-

With a rebel yell, I cried more more more. "This is a true story...it began on the night of September 26 1864, in a Union prison stockade at Plattsburgh, New York, not many miles from the Canadian border." Tho director Hugo Fregonese's The Raid opens with the above written statement, it's not entirely accurate. Further research into what became known as "The St. Albans Raid" is required if you want the complete and unembellished story. However, The Raid is in structure and plot significantly in line with what happened back there in 1864. Lifting from the story entitled "Affair At St. Albans" by Herbert Ravenal Sass, The Raid is about seven Confederate prison escapees who infiltrate the community of St. Albans and plot a second front. As the town is gleefully praising General Sherman's march towards Savannah - and throwing auctions to sell off mementos of slain "Rebel" soldiers, the "Rebs" are fashioning bottles of "Greek Fire" with which to torch the town as they plunder the bank of all the town money. Naturally all doesn't go to plan, as an on the edge soldier puts a spanner in the works; and the "Reb" leader, Maj. Neal Benton (aka Neal Swayze), finds a conflict of interest as his relationship with Katie Bishop and her son starts to form. All of which helps to make The Raid an engrossing picture outside of its already high interest point for being a "Confederate" movie (how many can you name about the "Rebs" winning for example?). More so when one knows that the film doesn't revert to genre formula, it threatens to, but Fregonese and his crew are not interested in serving up standard fare, with the ending a particular point of reference to ram home that opinion. Van Heflin is excellent as Benton/Swayze, put this along side his work in other Western outings like Shane and 3:10 To Yuma, and he surely is a candidate for the genre's most undervalued actor award. Watch as he has to suppress various forms of emotion - anger as the town around him rejoices in his fellow countrymen's misfortune - affection as he gets close to the mother and son, and torn as he ultimately must abide by his war driven codes. A fine turn from a very fine actor. Anne Bancroft is suitably bright eyed and deep down strong as Katie, while Richard Boone does a nice line as the troubled, and limb absent Captain in desperate need of redemption. Lee Marvin, Claude Akins (uncredited) and Peter Graves man up the support cast, and a nod of approval is warranted for young Tommy Rettig as Larry Bishop. Filmed on location at Iverson Ranch, Chatsworth, Los Angeles, California, I find myself once again searching for superlatives about Lucien Ballard's cinematography. This is a "gorgeous" film to look at, the Technicolor crisp in tone as the brown and orange hues of St. Albans play host to the shimmering blues of the soldiers uniforms, all of course about to be engulfed by the crackling spurts of the raiders incendiary use of "Greek Fire". I fell in love with this movie quite early on in proceedings, come the finale, I knew I just had to have it in my own collection, I can only hope that this picture finds a new audience from which to give it the love it dearly deserves. 9/10