Back home

To Kill a Mockingbird

2754 votes

Producing House

Scout Finch, 6, and her older brother Jem live in sleepy Maycomb, Alabama, spending much of their time with their friend Dill and spying on their reclusive and mysterious neighbor, Boo Radley. When Atticus, their widowed father and a respected lawyer, defends a black man named Tom Robinson against fabricated rape charges, the trial and tangent events expose the children to evils of racism and stereotyping.

movie

Status: Released

Released Date: 1962-12-20

Runtime: 129 mins

Director: Robert Mulligan

Spoken language: English

Genres: Drama

Original title: To Kill a Mockingbird

Production Companies: Pakula-Mulligan, Brentwood Productions, Universal Pictures

Production Countries: United States of America

Reviews

G

Geronimo1967
Gregory Peck is small-town lawyer "Atticus Finch" who is drafted in on a seemingly routine case defending a black man "Tom Robinson" (Brock Peters), accused of raping a young white girl. I say routine, because no-one in their town of "Maycomb" doubts the verdict the jury will return. What ensues is a testament to Peck's Oscar-winning acting abilities as he must get to the truth amongst a community where that is the least of anyone's concerns. Racism, bigotry and hatred are rife and soon, after he resists their repeated attempts to go with the flow, these odious emotions are pointed at him and his two young children "Jem" (Philip Alford) and "Scout" (Mary Badham). By way of a side-story, the kids are obsessed with a mysterious house in which lives the enigmatic "Boo Radley" (Robert Duvall), a lad with learning difficulties that is rarely, if ever, seen during daylight hours. The courtroom drama leads events to turn positively sinister; the scene with the two children returning home through the woods from their fancy dress party has to be amongst the most effectively tense pieces of cinema ever made. Clearly the story addresses the specific issues pertaining to the depression-era attitudes in America's southern states, but the potency of the original Harper Lee story; and the expertly crafted characterisations from all here ensure that scenario is transferable to many others around the world, and even now resonate succinctly. Rarely do the nuances of a novel like this transfer well to cinema, but Robert Mulligan and Horton Foote have done a sterling job at adapting this most human of stories that ought to be compulsory viewing - even now, 60 years after it was made.
2024-11-19

F

FilipeManuelNeto
**A striking, culturally relevant and indisputably important film.** It is not very rare to see that an actor's career, however prolific it may be, ends up being especially remembered thanks to his participation in a very small set of films, or even for his participation in a single film. I don't see this as a demerit, but as something unavoidable: only a very limited set of films ends up surviving the test of time and becoming culturally and historically relevant. Gregory Peck was an actor of great importance in his time, one of the faces of honesty and fairness, since he almost always played characters imbued with great honesty and nobility of intentions. As such, he took place in a wide range of films... but let's be honest, it is with this film that the actor reaches the peak of his career, and it is here that he achieves the greatest recognition and relevance as an actor. The film brings to the screen the slightly autobiographical novel by Harper Lee. Strongly inspired by the figure of her father, and by passages from her childhood, the author conceived a story in which an honest and committed lawyer struggles to defend a black prisoner, convinced of his innocence in the face of accusations of rape and aggression against a white minor. Of course, it all takes place in the American South, where racial prejudice runs rampant, as everyone knows. In the midst of all this, a sub-plot also develops, involving a reclusive, mentally weak neighbor, who creates a liking for the lawyer's daughter. I'll start by saying that I've never read the original book, so I'm not sure if the movie does justice to its content. However, when preparing this text, I concluded that the writer watched some footage at the invitation of the production and participated in the works with her collaboration, which leaves me with the conviction that the film sought to respect the literary work. Directed by Robert Mulligan, the film is a very convincing drama, but it takes a while to get into gear and to captivate our attention, which is initially invited to focus on children, on the way they behave and interact with the world around then. It will be, moreover, through the eyes of one of them, that we will observe the events. As I said, it is in this film that Gregory Peck reaches the highest point of his career, giving us an inspired, profound and emotional interpretation of the main character. He was one of the most relevant actors of his time and there are a number of other films where he shines and deserves a closer look from us, but this is where he immortalizes himself. Without coincidence, this is where the actor receives his Oscar for Best Actor, after being nominated four times. Despite being very young, Mary Badham's performance and a silent appearance by a young Robert Duvall are also worth noting. Technically, the film is quite discreet and gives the audience plenty of room to focus on the story told. There are no great visual gimmicks, there are no noteworthy effects, but we have excellent black-and-white cinematography with occasional artistic notes and a good filming work. The editing was also very well done, and gave the film a pleasant pace. It takes a while to really become interesting, but if we give the film the opportunity it requires, it will give us an enjoyable story, which we will gladly follow until the end. The soundtrack also deserves praise for its apparent ingenuity, as well as the opening credits and its graphics and visuals.
2022-11-17

b

barrymost
The part Gregory Peck played in this was reportedly his most favorite role. And he does a marvelous job of it too, as Atticus Finch, the Southern lawyer who agrees to take on the case of a black man falsely accused of rape. The story, from Harper Lee's classic novel, is in itself wonderful. It's filled with brilliant and iconic sequences, just a couple memorable ones being the dramatic courtroom scenes where Finch tries his best to make the prejudiced townsfolk see sense, and the intriguing side-plot of his children's growing curiosity and involvement with their eccentric, hermit-like neighbor that no one's ever actually seen. He is, of course, Arthur (Boo) Radley, played by none other than Robert Duvall in his feature film debut. Would I recommend? Yes, without a doubt, to anyone and everyone who knows how to enjoy a great film.
2019-08-07

t

tanty
If you like children's story, you would love this movie about how the world is shaped from their eyes. If you don't ... you may find some entertainment in the picture of Southern US and the racial fight that was taking place at the time ...
2014-10-20

Recommendations

Welcome to the Rileys
3.3

Welcome to the Rileys

2010-10-29

Years after their teenage daughter’s death, Lois and Doug Riley, an upstanding Indiana couple, are f

Truth or Consequences, N.M.
3.1

Truth or Consequences, N.M.

1997-05-02

Raymond Lembecke is a con just out of prison after serving time for selling drugs for his mob boss T

Butterfly
3.7

Butterfly

1999-09-24

The film centres on Moncho and his coming-of-age experience in Galicia in 1936. Moncho develops a cl

Jesse Stone: Night Passage
3.5

Jesse Stone: Night Passage

2006-01-15

A prequel to "Stone Cold", the story picks up after Jesse Stone is fired from the Los Angeles Police

Sweet & Sour
3.9

Sweet & Sour

2021-06-04

Faced with real-world opportunities and challenges, a couple endures the highs and lows of trying to

The Accidental Tourist
3.1

The Accidental Tourist

1988-12-23

After the death of his son, travel writer Macon Leary seems to be sleep walking through life. Macon'

The Business of Strangers
2.8

The Business of Strangers

2001-09-13

A dark thriller about a successful businesswoman and her young assistant who toy with a slow-witted

Fail Safe
3.5

Fail Safe

2000-04-09

Cold War tensions climb to a fever pitch when a U.S. bomber is accidentally ordered to drop a nuclea

Pollyanna
3.5

Pollyanna

1960-05-19

A young girl comes to an embittered town and confronts its attitude with her determination to see th

Numero 69
3.5

Numero 69

2018-07-05

Two friends enter an Emergency Room, seeking help after an incident. They will find themselves livin

Anything For A Dream
0

Anything For A Dream

Stuck in a decollate life and a dead marriage a father goes to any lengths to continue to dream a li

The Accused
3

The Accused

1949-01-12

A prim psychology professor fights to hide a murder she committed in self-defense.

Friends
0

Friends

1972-05-29

An absurd combination of circumstances turns two idle young men into fugitives from the law.

Making Love
3.4

Making Love

2000-02-11

Costanza is drinking a beer in a Prague pub, a summer night in 1968, while a violinist enters and st

Kanal
3.9

Kanal

1957-04-20

In the last few days of the Warsaw Uprising during World War II, a modest group of Resistance member

On Dangerous Ground
3.3

On Dangerous Ground

1951-12-13

A big-city cop is reassigned to the country after his superiors find him too angry to be an effectiv

Tim
3.1

Tim

1979-07-13

Handsome but backward gardener Tim Melville has a new woman in his life. She is Mary, his widowed em

On the Beach
3.1

On the Beach

2000-05-28

The world has finally managed to blow itself up and only Australia has been spared from nuclear dest

Kwaidan
3.9

Kwaidan

1965-01-06

Taking its title from an archaic Japanese word meaning "ghost story," this anthology adapts four fol

Love's Unending Legacy
3.5

Love's Unending Legacy

2007-04-07

Missie three years later: being a single mother after her husband Willie was shot during a poker scu