## **Midnight in Paris (2011) Review: A Magical, Melancholy Love Letter - 8/10** *Midnight in Paris* is Woody Allen in his most enchantingly wistful form. It’s a film that operates on a premise of pure, unadulterated fantasy, yet it resonates with a profound and universal truth about nostalgia and the eternal human temptation to view another era as a "golden age." Perfectly directed, it balances whimsy with a sharp, intellectual core, resulting in one of Allen's most beloved and accessible late-career triumphs. ### The Premise: A Portal to the Past Owen Wilson plays Gil, a disillusioned Hollywood screenwriter and aspiring novelist on a trip to Paris with his dismissive fiancée (Rachel McAdams) and her conservative parents. Feeling out of place in his own life, he romanticises the 1920s as the pinnacle of art and culture. Then, the magic happens: at the stroke of midnight, a vintage Peugeot picks him up and transports him to the very era he idolises, where he rubs shoulders with the Fitzgeralds, Hemingway, Picasso, and Gertrude Stein. ### A Perfectly Cast Gil I often find Owen Wilson's performances a little hollow, but this one was rock solid. ** This role is a career-best for him because it harnesses his inherent qualities — the laid-back California cadence, the boyish wonder, the slightly scattered charm and makes them central to the character. He is not trying to be a classic Woody Allen surrogate; he is Gil, a genuine romantic lost in time. His wide-eyed, earnest disbelief is the audience's anchor into the fantasy. We believe his awe when meeting Cole Porter and his desperation to have his novel validated by Gertrude Stein. It's a performance filled with heart and vulnerability, making Gil a truly empathetic guide. ### Strengths and the Missing Points The film's greatest strength is its intoxicating atmosphere. Paris is filmed as a dreamscape, glowing in the day and shimmering with mystery at night. The parade of historical figures is not just a gimmick; it's a witty, lovingly rendered celebration of artistic genius, with Corey Stoll's hilariously blunt Ernest Hemingway and Adrien Brody's scene-stealing Salvador Dalí as particular highlights. So why an **8/10** and not a perfect score? For all its magic, the present day storyline, while intentionally grating to highlight Gil's alienation, can feel a bit one-note and cartoonish compared to the rich tapestry of the past. The ultimate lesson Gil learns — that every era has its own nostalgia — is beautifully simple, but the journey to get there, while delightful, lacks the deeper emotional complexity of Allen's very finest work. ### The Verdict **8/10 - A Charming and Intelligent Escape** *Midnight in Paris* is a cinematic sigh of contentment. It’s a film that understands the dreamer in all of us, offering a witty, beautifully crafted, and wonderfully performed escape. Owen Wilson is the film's secret weapon, his "rock solid" and heartfelt performance making the fantasy feel tangible and the emotional payoff genuinely satisfying. It’s a delightful, intelligent confection that leaves you with a warm glow and a sudden urge to book a trip to Paris.

**Magnificent, it is a love declaration for Paris.** With this film, Woody Allen makes, in the background, a love declaration for Paris, a city he already knows very well and for which he seems to feel a great affection. In addition to the beauty of the city, especially in the opening sequence, the script revisits the history and importance of the French city, as a meeting point for artists and writers. The film begins very well, introducing us to an American engaged couple who came to Paris on their father's business trip. From the start they seem a bit strange: she is quite frivolous and seems to feel that she is doing him a huge favor by marrying him, and it is perfectly obvious that her parents do not approve of the match; in turn, the young man is an aspiring writer who has grown tired of making Hollywood screenplays and wants to dedicate himself to writing and stay in Paris, ideas seen with disdain by the bride. However, everything will change when, after a disagreement, he walks back to the hotel and ends up having a meeting with a series of famous artists and writers from Paris in the 1920s: Scott Fitzgerald, Ernest Hemingway, Picasso, Dali, Buñuel, Gertrude Stein and others. That is, the film starts from a basic romantic comedy situation and creates a story where time travel ends up happening in a way that seems like the character is just dreaming, or in an illusion. Owen Wilson was impeccable in the lead role and gives us one of his best serious performances, which is no small feat. He is credible and convincing. Equally pleasant and sympathetic is Marion Cotillard, who gave life to the “soul mate” of Wilson's character, a dreamer and idealist who would rather live on a page of the past. In addition to being smart and sensitive, she is beautiful and attractive. Kathy Bates, Tom Hiddleston, Alisson Pill, Corey Stoll and Marcial Di Fonzo have given life to a series of artists and writers, each of whom played their part with aplomb and care. Rachel McAdams is good at her tiresome and irritating character. Technically, the film is flawless. The cinematography is exquisite, has ideal light and color, sharpness and depth. The city scenes are magnificent, and it's very easy to see the movie and want it all to be real. The sets are very good, and the same can be said for the choice of filming locations, made with care and method. Comedy is very present in the film and has elements with a certain quality, being in the dialogues and puns that it thrives. The entire film has a very good rhythm, which does not tire the audience or allow us to lose sight of it. Finally, a word of appreciation for the jazz soundtrack.

Really nice movie, done with a great delicacy. Worth watching to get in love with Paris but it is also a great story of self knowledge and evolution.