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The Black Cat

296 votes

Producing House

After a road accident in Hungary, the American honeymooners Joan and Peter and the enigmatic Dr. Werdegast find refuge in the house of the famed architect Hjalmar Poelzig, who shares a dark past with the doctor.

movie

Status: Released

Released Date: 1934-05-07

Runtime: 65 mins

Director: Edgar G. Ulmer

Spoken language: Magyar, Latin, Français, English

Genres: Horror

Original title: The Black Cat

Production Companies: Universal Pictures

Production Countries: United States of America

Reviews

G

Geronimo1967
This great pairing of Messrs. Karloff and Lugosi make for a fun, if not particularly scary, horror movie from Universal. An honeymoon couple are travelling through Hungary when their bus is involved in an accident near the castle of "Hjalmar Poelzig" (Karloff). Together with fellow traveller "Vitus Werdegast" (a slightly theatrical Lugosi) they seek refuge and find themselves caught up in a tale of retribution between the two men that results in a game of chess not seen since the "Seventh Seal". It doesn't hang about - only just over an hour of creepily shot, tautly directed drama that makes for a spookily engaging watch with quite a bit of jeopardy right to the end...
2022-06-13

J

John Chard
Weird and hypnotic creeper. The first, and arguably in terms of their dual performances, best teaming of Horror legends Boris Karloff and Bela Lugosi is this almost bizarre Edgar G. Ulmer directed piece. Based around a story by Edgar Allan Poe, The Black Cat sees a young couple, Peter & Joan Allison (David Manners & Julie Bishop), who while on their honeymoon in Budapest meet the mysterious scientist Dr. Vitus Verdegast (Lugosi). When the bus taking them to the hotel crashes and Joan is injured, the trio wind up at the home of Verdegast's old acquaintance Hjalmar Poelzig (Karloff). Where the troubled history between Verdegast and Poelzig comes to light and thus spells immense danger for the newly married Allison's. Excellently directed by Ulmer, The Black Cat still today has the ability to genuinely unnerve the viewer. Filled with an overwhelming sense of dread throughout, Ulmer and his on form leading men have crafted a superb study of character evil. Flanked by a magnificent set design and with a script that does Poe proud, the piece pot boils until its brutal and frenzied climax. Karloff and Lugosi are particularly impressive (check out the chess match sequences), lending the film its timeless quality, with Karloff's Poelzig apparently being based on real life occultist Aleister Crowley. While the music, featuring some of the biggest names of classical composition, is an extra haunting character all by itself. It's a far from flawless picture, but it remains a unique, literate and important film in the pantheon of classic horror. 7/10
2018-10-01

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