<em>'The American Society of Magical Negroes'</em> is hit-and-miss. I wasn't disliking it all that much, though when the credits rolled I kinda didn't have anything majorly noteworthy to think about it. Like the score is genuinely ace and the cast are alright, but that's it. It's pretty forgettable (as a movie anyway, because that title isn't!), is what it boils down to. The well intentioned messaging comes across as a bit heavy-handed, as it only really dishes out pretty obvious sentiments. With that said, it can be a tad amusing (<em>'The Green Mile'</em> got a chuckle out of me, intentionally or otherwise) in short spells. David Alan Grier plays his role well though, he is an actor I like. Justice Smith is decent, I'm yet to overly like any performance of his but fine he is. An-Li Bogan stands out most from the rest. To be honest, they could've just had a fully fledged romcom with Smith and Bogan, it probably would've worked nicely. I did like the (presumed totally unintended) vibes of <em>'The Adjustment Bureau'</em> in this. Despite the clear differences it isn't actually terribly dissimilar to that favourite film of mine, what with a group of magical agents controlling a population amongst added romance.

I think that for satire to work, you have to be able to ensure that the audience is on board with the underlying premiss it's trying to achieve. Despite a decent effort from Justice Smith's "Aren" (and his impressive collection of knitwear) I just wasn't. Relying on long forgotten (if, indeed, they were ever actually known in the first place) tropes about racial stereotyping - and not just those from an African American point of view, makes this actually quite an offensive film to watch. Perhaps I am overthinking it, but I found absolutely nothing here with which I could relate - sarcastically or otherwise. The comedy, such as it is, is entirely contrived and the romantic elements between "Aren", "Lizzie" (An-Li Bogan) and "Jason" (Drew Tarver) are badly written and frequently cringe-makingly acted out. Peppering the thing with a few "Harry Potter" style magical effects and adding the benign characterisation of "Barber" (Aaron Colman) so that this "Society" can spend their entire time trying to "fix" the problems of their hapless and hopelessly out of their emotional depth white contemporaries just falls flat. It simply isn't funny. If a load of white folk got together and decided to make a movie about a group of innately obsequious and subservient non-white people, it would (and should) be banned. This is a clumsy and unfunny reinforcement of flawed values seen from an wholly unrealistic perspective and I struggled to sit through it, then wondered just why I bothered. Maybe it will resonate if you are American? I hope not.